On the grounds of the Kansas City Art Institute one rolling classic work of art after another found its spot. Each place was reserved for a particular car with space enough to see the sun and shadows dance in the gleaming shine of the lacquer paint on the panels, fenders and chrome accents that made each machine unique. The entry parade is like the circus has arrived and the large trucks disgorge the treasures that had been transported from across the land to this rolling meadow resting between the dorms, studios and classrooms where art is the only mission. The rumble of an Austin Healy 3000 is as distinctive as James Earl Jones’ voice. In Love Story , Oliver drove an MG TC whose canvas top remained stowed with no regard for temperature or precipitation. (Although, as anyone who loves MG’s knows, the top and side curtains did not deter the cold nor the rain from reaching the driver’s body.) A Jaguar XKE, two Corvettes and a Porsche Speedster almost s...